Film Review - La Belle et la Bete (Jean Cocteau, 1946)
The classic tale of Romeo and Juliet with a twist, a hairy
one, La Belle et la Bete (or Beauty and the Beast) bring together love and
honesty in many ways. The actual story in this French based film is not like
the Walt Disney adaptation. As Roger Ebert comments, ‘’ Those who get beyond
those hurdles will find a film that may involve them much more deeply than the
Disney cartoon, because it is not just a jolly comic musical but deals, as all
fairy tales do, with what we truly dread and desire.’’ Ebert, R. (1999). However,
its charm, French wit, the over overexert set design and costume brings together
the tale effectively. The set design is
the main focus essentially, the film switches between the two scenes, the
beasts castle and Belles house showing the detailed design of both in a way
that reflects the character’s backgrounds.
The combination of these switching scenes and the mystical
forest sequences where the characters are journeying from one to the other,
makes it feel like they are completely different worlds. Belle's home is set in
a harsh reality whereas the castle is set in a realm of magic and seems like an
escape from this reality. The idea of escapism is very vibrant in this film due
to this.
One of the early sequence of scenes in the film show the
father of Belle finding the castle for the first time and being led by magical
hands that come out of the walls, lighting his way (See Fig 2).
Figure 2 - The castle |
This is the
first real scene to show the audience that this is place consistent of magic
and things that don’t usually appear in the real world. The candle sticks held
by the arms we actually used as influence to the character Lumière (See figure
3) in the Walt Disney adaptation.
Figure 3 - Lumière |
When it comes to the fairytale, Louise Brealy commented ''Cocteau
uses wispy strands of lighting to magical effect and, to his credit, never
attempts to fashion anything but a fairytale, inducing a childlike wonder
rather than some cerebral reaction'' (Brealy, s.d.). Effectively, the use of
props and special effects – even for that poor – bring to light the mysterious
qualities in scenes. For example, the Beast (Bete) is shown as more of an
animal, small amounts of smoke surround and eloped him, this seems to add to
the animal-like nature of the character. The smoke coming from his paws and top
of his head – especially off his head – is mimicking his fur, therefore giving
the illusion that it’s the same, therefore tricking the audience. Simple
effects like this are used effectively to stimulate a ruse of magic and take
the audience’s attention and draw them further from reality and immerse them
into that fantasy tale.
There are only three main areas within this film, the beast’s
castle, Belle’s house and the woods in between. However, the transitions between
them say that there is much more than that in the area, also, as Armes
comments; ''the departure of Belle for the Beast's castle and her entry there
are totally stylized, with Cocteau employing slow motion photography to obtain
a dreamlike effect.'' (Armes, s.d.), it creates a dreamlike state that invites
the audience to see it like a magical portal transition that the audience – and
Belle find it hard to navigate out off.
Overall, the film does bring to life a fantasy that as
children we have grown up with. There was some issues with the subtitles as
they did not translate everything said. Its overall exterior and interior set
design are visually stunning, as were the costumes, and its narrative is both
faithful to the original tale and is artistically retold in its own style. Its
technically clever effects and all the combinations of set, character and
costume design create a breath-taking film.
Illustration List:
Coctau, J. (1949) Figure 1. Film Poster http://www.cinemasgaumontpathe.com/upload/galerie/films/1283/1-0affiche.jpg
(Accessed on 04/11/14)
Coctau, J. (1949) Figure 2. Inside the castle. http://www.curzoncinemas.com/images/films/l/la_belle_et_la_bete/labelleetlabete2900x506.jpg
(Accessed on 04/11/14)
Disney, W. (1991) Figure 3. Lumière http://img4.wikia.nocookie.net/__cb20120727073436/disney/images/thumb/4/45/Lumiere-1900x1200.jpg/256px-Lumiere-1900x1200.jpg
(Accessed on 04/11/14)
Bibliography:
Ebert, R. (1999). http://www.rogerebert.com/reviews/great-movie-beauty-and-the-beast-1946
(Accessed on 04/11/14)
Brealy, L (s.d.) http://www.empireonline.com/reviews/reviewcomplete.asp?FID=132405
(Accessed on 04/11/14)
Armes, R (s.d.) http://www.filmreference.com/Films-Aw-Be/La-Belle-et-la-B-te.html
(Accessed on 04/11/14)
Hi Julia,
ReplyDeleteYou have once again written a very well thought-out review.... but you must proofread it (or get someone else to) before you post it! You have some strange things going on here, where you have possibly relied on autocorrect, but it has 'corrected' it to the wrong word :) - namely,
'the over overexert'
'even for that poor'
'small amounts of smoke surround and eloped him'
Also make sure that you italicise the quotes and any film names, and that your bibliography is arranged in alphabetical order by author's surname.